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Fading Light The tension between wanting to hang on to the light but at the same time welcoming the darkness. Fading light - shadows,
absence of light, twilight, darkness, losing sight, transformative. This theme can be used figuratively as well as literally.
Portraits, fashion, editorial, landscape, documentary, conceptual or any other genre is open for consideration. Both color
and b&w are eligible. ____________________________________ We
are currently accepting images for Open to Interpretation: Fading Light.
Photo
Credit: Jim McKinniss, Monika Lawrence, Jeff Grant, Shea Naer, Lora Abernathy, Joseph D.R. OLeary
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Publication and Awards $1000
Cover Award $300 Judge's Choice Award Photography $300 Judge's Choice Award Writing or Poetry Being selected to be part of this publication puts you in great company
with other photographers, writers, and poets. This publication is dedicated to providing a place for artists to gain recognition
and exposure for their work. All participants chosen, if so desired, will have their name, web page and/or mailing address
indexed in the book so as they can be contacted directly regarding their work. ____________________________________ Photography
Judge George
Slade has provided fine photographic artists and their audiences with insightful interpretation and curatorial expertise in
exhibitions, classes, writings, lectures, and face-to-face exchanges for over 25 years. Formerly the artistic director of
Minnesota Center for Photography, the director of the McKnight Artist Fellowships for Photographers Program, and recently
the curator at the Photographic Resource Center in Boston, George is a veteran presence at portfolio review events like Fotofest,
Photolucida, Critical Mass, PhotoNOLA, and the Society for Photographic Education's regional and national conferences. In
the last three years he juried regional and national exhibitions for the Coalition of Photographic Arts (Milwaukee), New Directions
2009 at the Wallspace Gallery (Seattle), the 2011 Clarence John Laughlin Award at the New Orleans Photographic Alliance, the
New England Photography Biennial at the Danforth Museum of Art (Framingham, MA), and IRevelar at the Naomi Silva Gallery in
Atlanta. George received a 2007 award from the Creative Capital/Andy Warhol Foundation Arts Writers Grant Program; his writings
and reviews appear extensively in print and online; some may be found at his web site, re:photographica. He lives in Minneapolis
with his partner Stephanie and their children. Writing Judge Jacqueline Kolosov's ekphrastic poetry collection is Modigliani's Muse (TurningPoint, 2009). Her third collection,
Memory of Blue, is forthcoming from Salmon Poetry in early 2013. Pecan Grove Press just released Hourglass. She also works
in prose and has published essays, short fiction, as well as several young adult novels. Recent journal publications include
The Southern Review, The Missouri Review, Orion, and Confrontation. She was awarded an NEA Literature Fellowship in Prose
in 2008. A native of Chicago, Jacqueline is now on the creative writing faculty at Texas Tech University.
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Photography Guidelines Each volume of Open to Interpretation represents a unique collaboration
between photographers and writers. The content for each book is sought via two distinct calls for entry/submissions:
- Photography
"Call for Entry." After judging takes place, the selected images will be posted online.
- Writing “Call for Submissions.” After viewing the selected
photographs online, writers craft and submit an interpretation of an image in poetry or prose. Two written works will
be selected for each photograph.
____________________________________ Eligibility and Submission Guidelines
Any amateur or professional photographer is welcome to submit work
for consideration. The image must be original and created by the person entering the work. All images created will
be accepted for consideration, including but not limited to film, digital, alternative process, mixed media, digital
manipulations, old world processes, pinhole, solar etchings, iPhone, etc. Either color or black & white is acceptable.
All images must be submitted electronically. Previously published material for which non-exclusive rights were granted
may be entered as long as you still maintain the rights. For a photo in which a person is recognizable, and
the image was taken in a non-public setting, you must secure a model release from the subject and provide upon request.
Mailed/emailed submissions will not be accepted.
Note: Images selected by jurors for publication in a previous
issue of Open to Interpretation are NOT eligible. Images previously submitted but not yet selected for
publication may be resubmitted as often as you wish. ____________________________________
Preparing
your Submission
- sRGB or RGB color space (standard) - not CMYK.
- Save
files to 72 dpi resolution, flattened layers, 8 bit JPG files.
- Sized to 1280 pixels on the longest side, the other size width or height proportional.
- JPG compression at level 7 (medium). This compression level will not affect the quality of the images viewed on
the monitor.
- Each image should be titled.
- DO NOT USE characters other than
a period or underscore preceding jpg in the file name. The following characters !@#$%^&*()+?/"~
will lead to image uploading problems.
- Enter zero
in the field for width, height and depth.
Uploading your Submission
- Click here to go to Smarter Entry submission site
- Select
Account Login
- If
this is your first visit, please create an account.
- When
asked for width, height, and depth, enter 0 (zero)
- If
a thumbnail image of your work appears, the image has been successfully submitted
____________________________________ Judging Open to Interpretation
judges are asked to choose photographs that speak to them, that have something to say, and/or tell a story. Images
will be judged on originality, technical excellence, composition, overall impact and artistic merit. All work is reviewed
anonymously by the judge and decisions are final. ____________________________________
Acceptance The selected work will be announced via email. Accepted images will be posted
online. Open to Interpretation reserves the right to disqualify those who are
unable to provide a high-resolution file. Further information will be provided for those that are accepted. ____________________________________ Use of Images The photographer
warrants that his or her submission does not infringe on any third party's rights, and that the entrant has obtained any
necessary permission from any third party to submit the photograph. All entrants agree that any image submitted to
Open to Interpretation may be used for marketing and promotional purposes directly
relating to the publication. This may include, but is not limited to, publication in any printed materials, advertisements,
electronic media, displays and websites. The artist grants the use of their images as stated without further contact
or compensation. Any image used shall carry a credit line of the artist. Copyright and all other rights remain with
the artist.
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Photographer's Important Dates
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Submissions
Open: November 17, 2011 Early
Submissions Due: January 19, 2012 New Extended Final Deadline: June 26, 2012 Results Posted Online: July 9, 2012 Scheduled Book Launch: May 1, 2013
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Submission Fees: $40
for 5 images ($10 each additional image). Save $10
if submitted
by January 19, 2012
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Questions?
info@open2interpretation.com
651.312.0113
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